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New Movies On Demand: 'Mothering Sunday,' 'Hot Seat,' + More Fox Is Due To Receive An Honorary Oscar In 2023: Here's Why He Deserves It For His Acting, Not Just His Activism James Caan’s Best Movies, From ‘The Godfather’ to ‘Elf’: Where to Stream James Caan R.I.P: So Much More Than A “Tough Guy” Actor Stream It Or Skip It: 'Paul Virzi: Nocturnal Admissions' On Netflix, A Comedy Special Directed By Pete Davidson Kevin Smith Returns in 'Clerks 3' Trailer Featuring New Ben Affleck Cameo, Same Quick Stop Stream It Or Skip It: 'Dave Chappelle: What's In A Name?' On Netflix, In Which The Comedian Makes An Acceptance Speech At His Alma Mater It’s this aesthetic tension that imbued Lloyd Webber’s scores with a sense of freshness and ingenuity, exciting audiences in much the same way Hamilton has more recently.New Movies + Shows To Watch This Weekend: Netflix's 'Boo, Bitch' + More The musicals that established Lloyd Webber’s name tend to have one aesthetic foot in the past – his penchant for through-sung, no dialogue, operatic structures – with his other aesthetic foot planted firmly in the present – the pop and progressive rock music prevalent during the 1970s. The score also establishes Lloyd Webber’s ability to employ pastiche for comedic and dramatic effect. Telling the biblical story of Joseph and his journey from outcast brother to advisor to the Pharaoh of Egypt entirely through song, the piece lays the foundations for subsequent Lloyd Webber musicals featuring an underdog who rises to success. The aesthetic tension between past and present is explicit in the way the pair described it as a pop cantata – a contemporary take on a Baroque sacred choral work. The first produced musical by Lloyd Webber, in collaboration with lyricist Tim Rice, was originally conceived as a 20-minute piece for school children. In his book on British identity in Edwardian musical comedy, scholar Ben Macpherson identifies the tension between the traditional past and modern present reflected in the musicals of the time as being a central aspect of British identity. Lloyd Webber is a product of his time and place, and his early musicals reflect this.
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